Autor(es): Julia Tuñón
Resumen:
Abstract: Cinematographic representation of poverty and social classes has conditioned the Mexican imaginary in these subjects throughout the xxth Century. Ismael Rodríguez’ trilogy (Nosotros los pobres, Ustedes los ricos and Pepe el Toro), melodramas of big and longlasting success in México, contrast with the critical view of Los olvidados (Buñuel, 1950).